Nature Light Photo

Eastern Sierra Nevada

I spent a week in the Lee Vining in August of 2009. Here are some of the images from that trip. Bodie-Mono Lake

Please let me know what you think.

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Fall Color at June Lake

Again, posting an image that I got at June Lake on my ill-fated Bodie trip.

Driving on the June Lake Loop from north to south, I looked over at the lake and saw all of the white trees trunks against the dark background of the lake with the yellow leaves as a “foreground” element. The leaves weren’t really a foreground element, but I thought they anchored the bottom of the image well.

I stopped, flipped a U-ey, and found a place to park, walked up the road several hundred yards, and found the composition I liked. It got kind of hairy every time a car would drive by due to the narrowness of the shoulder (or the lack of one altogether), but I stopped and stepped off the road each time.

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Fall Color in the Sierra Nevada

A very busy October is slowly coming to an end. The weekend of the 16th, 17th, and 18th was spent driving up highway 395 to Lee Vining and spent Saturday shooting around Bodie. But on the way home, I took a short detour through the June Lake area and shoot the fall color.

This scene was right next to the road. I got out of my car, turned around, and it was waiting to be captured. As I stood there looking at it, I immediately noticed and liked the dark green pine tree in the middle of the yellow with the semi-green aspens in the upper left.

I was very impressed with the color in the area and all along the eastern Sierra. I am going to have to plan trip up there next year.

I still have lots of images from both the ill fated trip up the 395 and the Morro Bay Photo Expo with George Lepp and will be posting LOTS more images over the next few weeks.

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Bodie Photographer’s Day 2009

It was an interesting weekend that started out well, got a LOT better, then took a disastrous, almost fatal, turn.

I took a trip up to Bodie State Historical Park last weekend to participate in their last photographer’s day of the year. Photographer’s day is held every third Saturday of the month from April to October. The cost is $50 and for that they open the park up at 6:30am instead of the usual 9:00 and close it at 6:30pm instead of the usual 4:00. Although, I have heard that they don’t really ask you to leave until you are actually done.

I was prepared for snow and bad weather after the week’s storm, but the roads were dry and, yet, there was snow on the ground to give the images more character.

I left SoCal at about 5:30pm Thursday afternoon, staying in Ridgecrest for the night. I got an early start at about eight o’clock and continued up highway 395, stopping in Galen Rowell’s Mountain Light Gallery for my traditional look at his gallery as I pass through Bishop. I am always amazed by his work and the work of the guest artists that are exhibited. I strongly recommend stopping at his gallery to every photographer passing through the Bishop area.

I stopped by Convict Lake in the Lee Vining/Mammoth Lakes area and took some images there. I tried out my new Lensbaby and captured the fall colors around the lake before traveling to Mono Lake and taking some pictures at the South Tufa area.  After that, I checked into the Lee Vining Lake View Lodge. Ok, there is no lake view, but…

Saturday, I got up at 4:45 and was out the door by 5:30, arriving at Bodie by 6:20. Checked in, got to the parking lot, then hiked up the west side of the valley to get the sun rising over the town. After that, I went back into the town and shot pictures of different things in the morning light. By noon, I was mostly shooting macro and using the Lensbaby to while away the time until the afternoon golden hour when I hiked back up the west side of the valley to get the sun setting on the town.

After a good dinner at Whoa Nellie Deli in the Mobil station. (It’s really good food. Honest.) I went to bed and got a good night’s sleep, waking up at seven and getting on the road at about 9:30 after a good breakfast at Nicely’s in Lee Vining. I took a side trip up into Yosemite to see the affect of the snow on Tuolumne Meadows and the high country. Above 9,000 feet there was lots of snow. Below 9,000 feet there was almost nothing. I still got some good shots of small streams and lakes with the mountains and snow in the background.

Finally, I started home. After four hours of driving, I had just past Ridgecrest when some idiot in a white Dodge Ram pick-up tried passing in a no-passing zone forcing me off the road, up an embankment, and into a sign post. Ironically, the sign I drove through was “PASS WITH CARE”.

The X-Terra is probably totaled and the CHP officer said that the only reason I am not dead or busted up is because of my decision to put my car into the dirt and then my skill at keeping it upright. To top it off, the bastard took off, making it a “none collision hit and run” accident. Fortunately, two local kids from Ridgecrest stayed and were witnesses for me to the CHP.

My wife picked me up after a two-and-a-half hour drive from home and we ended up spending the night back in Ridgecrest before driving home Monday morning.

The bottom line: I’m glad to be alive, well, and to have come home with some great pictures. I will be posting a few here over the next few weeks.

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Ansel Adams I’m Not

During my recent trip up highway 395 in the middle of August, I stopped at the Manzanar relocation camp. I have stopped here before and after my first visit, I looked into different photographers takes on the camp. I was  surprised to find that Ansel Adams had spent considerable time there and took one of his more well known images there.

The cemetery monument. Here is his image from the Library of Congress.

Ansel Adams' Cemetery Monument at Manzanar

When I went back this time, I remembered his image and tried to capture the same type of thing. It wasn’t an attempt to copy his work, more like an exercise in seeing like a master. It took me some time to get the camera angle and the clouds in a position that I liked, but it was fun and challenging to do so.

Here is my image.

There are differences between Adams’ image and mine. (Other than the obvious that mine will probably never be considered an iconic image or be in the Library of Congress.)

His is black and white. Mine is color. I don’t see in B&W and prefer color for my images. I used a different angle than he did and my sky has clouds and his doesn’t. I’m not sure that I like the empty sky in Adam’s image.

Also, the trees that were there in the background when Adams made his image are very different and I didn’t use them in my image because I wanted to include the clouds in the sky. And he actually made a great print in the harsh mid-day sun. I can’t do that to save my life, at least not yet.

I think it is important to try to emulate the masters, it is a great exercise in seeing different images and techniques in capturing what you see. The exercise is good because you can compare your final images to those that are universally accepted as being good.

My result? All-in-all, I think I did a good job. I’d really appreciate your feedback.

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