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Book Review – Landscape Photography by Tim Fitzharris

Landscape Photography by Tim Fitzharris

If you are looking for a book that covers almost all facets of landscape photography, you should take a close look at Landscape Photography by Tim Fitzharris is published by the National Audubon Society. The book has awe inspiring images on almost every page which is a good reason alone to by the book, but the information offered is some of the best I have read to this point.

Mr. Fitzharris takes the reader from the proper equipment and how to transport it to the site through shooting fundimentals and how to create good images to what to look for and how to shoot different types of landscapes. He finishes with the only weak section of the book, digital processing.

The first part is about equipment. In the first chapter Fitzharris discusses large, medium, and digital formats and gives advantages and disadvantages for all. He also discusses tripod selection and how to best outfit your tripod for landscape imagery. The second chapter is devoted to lenses which, according to the author, should range from 18-200mm. He gives reasons and examples of images taken with each range. The third chapter concerns the logistics of landscape photography including photo-vests, non-photographic “Essential Gizmos” that you might need, and how to dress for each of the seasons that you might be shooting in. His suggestion of dressing with zippers, not layers is good.

The second part of the book, chapters 5 & 6, deal with correct exposure, how to read a histogram, and the affect of shutter speed and aperture have on images. He also discusses the use of different metering methods in the field.

Part three deals with creating the images. Chapter six talks about light and what to look for as well as how different skies affect the image. Different types of filters and their affect on the images are also explained. The next chapter discusses the basics of composition and offers nothing really new for the experienced photographer, but he does give some great examples of composition rules that are worth examining.

The next few chapters discuss finding the art, perspective, and opportunities of landscape photography. My favorite part of these chapters is the discussion of a landscape/nature photographer’s day from early morning landscapes, to wildlife, scouting locations, and finally sunsets.

The last section is VERY weak and discusses the digital processing of images. Devoting a few pages to what requires a book or two is a waste of the readers time.

That being said, the real strength of the book is the fourth part where Mr. Fitzharris’ writing shines. He covers most all of the usual situations where landscape images are captured and describes what to look for and how to capture beautiful images. Some of the situations Fitzharris discusses are autumn color, waterfalls, dunes, floral vistas, and clouds. He describes timing, filters, methods, and composition when visiting each type of landscape. His ideas and suggestions are all very good.

The best reason to buy this book is the images that Fitzharris includes to demonstrate his vision, ideas, and suggestions. Looking at the images will improve your photography. The thing I really like is that not all of his images are from exotic locations. There are many from places that any photographer in the country can visit with very little effort if they are serious about getting nice images.

Landscape Photography by Tim Fitzharris is a book that should be on a photographer’s bookshelf if they are interested in landscape photography and even nature photography in general.

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Learning To See Creatively – Book Review

I have purchased many photography books since I started shooting. Some are good and some are bad. All of them were purchased with the intent of making my images better. This is the first of many book reviews that I will be doing.

One of the first books I purchased was Bryan Peterson’s Learning To See Creatively. I wanted to learn how to create better images that would capture peoples attention. After spending quite a bit of time in the local Border’s, I liked this one.

The book starts with a quick introduction on how we see and how different lenses change that view. Peterson uses a fun exercise that makes you, using a fixed focal length, start some distance away from your subject, far enough away that the subject had lots of space around it. Take a shot and then move five steps closer. Take a shot and move again. Continue until you are unable to focus. Repeat the whole process on your knees and then on your belly. Done yet? Nope. Repeat the whole thing with a different lens length. This allows you to learn to see as your camera does.

After the part of how to see, Peterson discusses how each type of lens changes that perspective. From super wide angle to telephoto to macro. The change in perspective and depth of field is shown in some great images.

Mr. Peterson next discusses the elements of design. Starting by asking what makes a striking image and then going into  the basic elements such as line, shape, and pattern.

In the next section, he discusses composition. As far I can tell, he discusses all of them important “rules” of composition; filling the frame, rule of thirds, no horizon, using diagonals,  and frame within a frame. Peterson also talks about how to “work a subject” and when to break the “rules”.

As with every section, Peterson has great images that serve as wonderful examples of not only the point he is trying to make, but just plain good images.

The next section deals with light. It isn’t a long section and only deals with certain aspects of light; direction, color, and availability. There is a nice discussion on rainy days and overcast condition. This section is probably the second weakest section in the book.

In my opinion, the last two chapters, digital photography and career considerations, are the weakest sections. Granted, the copyright of the book I have is 2003 and digital was a bit younger and not quite as accepted as it is now. Still, the digital section doesn’t quite live up to the quality and information rich substance as the rest of the book. It’s only about six pages long and almost seems to be an after thought. Even more of an after thought is the section on photography as a career. Honestly, there is almost no information there of any consequence.

Through out the book, Mr. Peterson does two things I really like. First, as I have stated before, he has some great images. Just going through the book and looking at the images will get your mind thinking about how to make better images or how you could have maybe captured some of your past subjects in a more interesting way. Second, he sprinkles little exercises  that help you learn the ideas he is trying to convey. I already mentioned one of those exercises. Another one I liked was in recognizing pattern. The exercise is to use only items from one room, like your kitchen, and create patterns to photograph. It makes a great late night, “I can’t sleep” exercise.

Overall, this is a great book for beginning photographers to start learning to see the world in a way that allows them to capture images in a more creative way. It is also good for more experienced photographers who might be in a rut or looking for a different point of view.

You can pick up the book at Amazon here.

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